I moved to Amarillo Texas in 1991 from NYC. I lived there, at Lake Tanglewood, for about 10 years. During that time, I painted, and I taught art at Claude ISD and Amarillo College, plus, I had two sons. I became a member of Yellow City Gallery in the late 1990’s while I was a part time faculty member at Amarillo College.
When I arrived in Amarillo, I found the landscape difficult to paint. It was so different from the East Coast. I was used to atmosphere, trees, open water, shades of green, soft light, and rolling hills. Of these, Amarillo offered little of. It seemed I was in the car driving all day long. The vastness of the plain was overwhelming. But the sky, was, spectacular. I had never seen such an amazing sky. Being at a high elevation made the clouds bigger, lower, more dramatic. Nothing interrupted the horizon. Storms were operatic in scale. I was stunned. Slowly, over time, I began to acclimate to the Amarillo landscape and I found subject matter in the ordinary places your eye would drift to while doing ordinary things. I began to take snapshots from the car. From these little snapshots, I would base my canvases.
For years I had painted solely from observation. But in Amarillo, with the wind, dust, and rattle snakes painting “en plein-air” became less appealing to me. So, working at the Yellow City Studio was great. Plus, I felt confident enough with my skills, after devoting so many years to working from observation, that working from little snapshots would not be too much of a problem. I do not recommend this practice to my students.
My family moved back to the East Coast in 2000. I am back in the woods, fields, and coast I was in born to. Landscape is a tricky subject for a painter. One searches for a place to connect with. It may have taken me awhile to adjust to Amarillo, but it left me a better painter. Difficult environments do not intimidate me anymore.
Other Yellow City Artists: